Normally an elevator rises through the trideck 164, but Fertitta specified a stairway instead, something that a few other 164 owners also chose.
Aboard Boardwalk, the stairway treads are floating affairs, with a sturdy yet elegantly curving stainless-steel handrail outboard, along the mahogany-lined walls.
To lessen the formality of the dining area, Fertitta requested a smooth flow-through from the salon, skipping the customary central buffet that acts as a room divider. The arrangement still avoids the “bowling alley” look, and it’s simultaneously family-friendly and suitable for big gatherings. 
In the master, rather than have the standard separated his and her heads, Fertitta wanted one full-beam bath. In another change, the vista bar, a standard wet bar tucked forward to port off the skylounge, is more like an intimate wine-tasting area, since Fertitta has it equipped with glass-front bottle stowage. Plenty of extra televisions are aboard as well, from the main afterdeck bar to the full-beam master bath (the TV is camouflaged as artwork when off) to the galley’s dining spot. And to help set various moods day or night, plus highlight the colorful, specially commissioned artwork throughout Boardwalk, a great deal of attention was paid to lighting.

Of course, some areas aboard Boardwalk follow the standard Westport 164 layout, which has both typical and atypical features. A good example of the latter is the upper-deck VIP stateroom, which benefits from a private sun deck. There are four more guest staterooms, all on the lower deck. Fertitta can stay in touch with his various businesses while in the office within the main-deck master suite. The room doubles as a lounge, with comfortable seating opposite the desk. Doors connecting it to the owner’s foyer just aft and the sleeping area just forward can close for more privacy. And guests can watch the captain at work from a raised observation settee in the pilothouse.
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